Photographing Peter Knudson’s last FoCo show

Photographing Peter Knudson’s last FoCo show

I’ve had the privilege of running in the same drumming circles as Peter for over twenty-five years. Peter was a longtime staff member and instructor over at the legendary Colorado Drum shop, where I purchased the vast majority of my gear over my thirty years of playing. Peter has been a fixture in our Northern Colorado drumming community, whether it was at numerous clinics, drumming events like The Big Beat, or at other educational opportunities he created for his fellow drummers.

He’s moving to New York to begin a new chapter and will be greatly missed. I was glad to hear that he planned a final show at Avogadro’s Number, featuring his quartet and a reunion of The Atoll, an incredible band that featured Peter on percussion.

It was my privilege to bring my camera and capture a few shots of this fantastic evening, reconnecting with some of my fellow drummers, and being able to give Peter a send-off with gratitude and love.

Peter started the evening playing the drum set with his quartet (which had five members that evening). This group featured instrumentals and tunes with Peter on vocals. It was fun trying to figure out some of the song meters and appreciating all the incredible musicianship on stage.

The Atoll then took the stage, showcasing these incredible musicians.

Lastly, Peter took the stage to give a “goodbye” drum solo to his Fort Collins community. I was glad we stuck around to witness such a sentimental musical gesture.

Thank you, again, Peter, for all of the musical memories and for being such a tremendous influence on my drumming. I wish you all the best in your New York chapter!

New single – The Seen

New single – The Seen

I’m excited to share some new music from Amy and the Peace Pipes that we just dropped today – The Seen!

We recorded this song back in January, hot off the presses. We actually hadn’t played it live before recording it. We actually had the beginning of this song written about a year before, but couldn’t quite figure out how to end it. After mothballing the song for several months, we brought out back and came up with the grunge-rock ending, where I got to channel my inner Dave Grohl.

We hope you enjoy it! If you can’t stream it from Spotify, you can stream it directly from Amy and the Peace Pipes website.

Photographing FoCoMX – Night 2

Photographing FoCoMX – Night 2

On the heels of my Night 1 post, here is the second night of bands that I saw and photos that I took. This night featured such talented bands such as: Attack on Venus, King Cardinal, Sick Trick, Shark Dreams, Graham Good & the Painters, AJ Fullerton, The Silent Disco, The Bardots, and Wolfer.

I have some more pictures available on my FlickR album, which can be downloaded from there (especially if you’re in one of those talented bands).


Photographing Cosmic Hot Sauce and My Dog Ate Chad

Photographing Cosmic Hot Sauce and My Dog Ate Chad

It’s been quite a while since I’ve been out to shoot some bands, but I recently had the opportunity to catch some talented high school bands at the Downtown Artery in Fort Collins.

Cosmic Hot Sauce opened for My Dog Ate Chad, both which put on an awesome show for a packed crowd. It was a bit of the challenge to work on the extreme amount of red light that was being cast on faces, but I captured some pretty fun shots.

Congrats to both bands for some awesome shows! They’re both playing at FoCoMX in April: Cosmic Hot Sauce at Scrumpy’s on Saturday at 6:45pm, My Dog Ate Chad at the Aggie on Friday at 5:30pm

Band Booking – how to contact a venue

Band Booking – how to contact a venue

Booking gigs can be one of the most daunting tasks for your band, but I’ve found that once I get started with contacting a few venues and get the ball rolling, it becomes easy to build momentum.

When I first started booking for Greenfoot back in the mid-2000’s, I would often build physical press kits that included a bio sheet, photo, and CD, then hand deliver it to bars and venues. Now that I’m booking for Amy and the Peace Pipes, that technique has gone by the wayside but luckily todays requires a lot less (and cheaper) effort, as long as you’re willing to stay on top of follow-ups.

Here are some of the booking scripts that I use. I’ve tended to get better responses when I do two things with the emails: keep them very short and direct, frame in the context that I’m helping them fill a date. A lot of times we assume that bars and venues are giving us exclusive attention and are thoroughly listening to our demo to see if we’re a good fit, but the reality is that they’re just quickly trying to fill dates before they can move onto the other 50 things they need to do to run their business.

One last note: none of these ideas are particularly my own or original, but are a conglomerate of many articles and techniques I’ve read at some great DIY musician blogs, like DIY Musician Blog, HypeBot, and Music Think Tank to name a few.

Prework

  • Make sure you have a website that includes all the basics about your band but specifically has direct access to your music/videos. The more professional your site, the better, but make sure you have an attractive homepage (with a great professional picture of your band) that is intuitive for a booking manager to hear what you sound like.
  • Go to the venue’s web site and try to find the email address for the booking manager/coordinator. If they don’t make that clear, you can use the general email address. If all else fails, contact them through Facebook Messenger, but you just change your email a bit. I’ll give two templates below.
  • Come up with a 1-sentence “elevator pitch” about your band. It doesn’t have to change the world, but it does need to describe you’re niche (for Amy and the Peace Pipes I say, “We’re a woman-fronted piano rock band out of Fort Collins.”
  • If they have a calendar, go double check your wanted to date to see if it’s open, and better yet if you’re planning 2-3 months ahead and the calendar happens to look blank, they may have more openings and be more apt to give you the date that you requested. Also check to see if there’s a pattern for dates they have live music (whether they typically have them on a Friday or Saturday, or if there’s a specific night of the week)
  • Pick 1-4 dates that you would like to request. I typically give them 3. Don’t be afraid to ask for the ideal date, but also give them some options as well (e.g. if they book music on Thursday, Fridays or Saturdays, ask for 2 Saturdays then throw in a Thursday).

Sending the email

Subject: Booking Inquiry: Amy and the Peace Pipes for <Month Name>

If you know the name of the booking contact:

Hi <Booking Contact>,

I hope you are doing well. I was wondering if you are actively booking bands for <Season or Month Name> at the <Venue Name>? If so, my band, <Band Name>, would love to help you out. We're a <1 sentence "elevator pitch" description about your band>.

Could we help you fill any of the following dates:
- <Date Option 1>
- <Date Option 2>
- <Date Option 3>

If you have another date where you'd need some help, just let us know.

Thanks,
<Your Name> from <Your Band Name>
<Your Band's Web Site>

If you don’t know the name of the booking contact, I include all of the information in there as there’s a good chance they’ll just forward this email to the booking manager:

Hi <Venue Name>,

Could you help me get in touch with the person responsible for band bookings? If you're looking to fill any dates this <season or month>, my band, <Band Name> would be a great fit. We're a <1 sentence "elevator pitch" description about your band>.

Could we help you fill any of the following dates:
- <Date Option 1>
- <Date Option 2>
- <Date Option 3>

If you have another date where you'd need some help, just let us know.

Thanks,
<Your Name> from <Your Band Name>
<Your Band's Web Site>

Email Tips

  • Adding the web site at the bottom of the page is crucial. I also always add the “from <My band name>” at the bottom too, making it easy if they end up searching their email later.
  • I typically send the emails on Tuesday through Thursday during the day. I try to avoid sending emails at night, as those will be part of the pileup they get when they come into work the next day. I want that email to come in either mid-morning or early afternoon when they’ll hopefully want to react to it quickly and get it out of their inbox. I stay away from weekends (when they’re busy doing bar/venue stuff, and Sundays and Mondays are likely the days off for most of them).
  • I’ll still work on them the night before and write the email, just store it in my drafts, then go in and just send the email when the time is right

The Most Important Step: Following Up

Chances are you won’t hear back from that original message. Venues tend to get a lot of emails from various vendors and often will treat your original email like spam or white noise. After sending the message, I’ll go snooze the message in Gmail (if you use Gmail, this is an awesome tool for reminders and follow-ups) from 7-9 days later, then when it pops up, I send a quick follow-up email:

Hi <Booking Agent Name>,

I just wanted to follow up on my email from last week, wondering if we can help you fill any of the following dates:
- <Date Option 1>
- <Date Option 2>
- <Date Option 3>
Please let us know if we can be of any help. Thanks so much!

-<Your Name> from <Your Band Name>
<Band Web Site Address>

If you’re lucky, you’ll get a response, but I often follow up 1-2 more times, again 7-9 days apart. I’ve never had anyone yell at me for spamming them, sometimes you’ll get the “thanks, but no thanks”, but at least you got a response.

I’ve had a lot of success with this technique, but the key is staying on top of your follow-ups. If you don’t get the answer you want, remain respectful and offer to help them in pinch. You’re trying to help venue owners and booking managers realize that you’re eager to partner with them to make everyone successful. I’d love to hear booking tips others may have.