Lyin’ Eyes and how I listen to music

Have you ever stopped to think about how you listen to music? When you hear a new song, do your ears focus on the melody, the lyrics, or the rhythm?

Last month I was asked to sit in with some musicians who were putting together a performance of Eagles covers. I thought I knew the Eagles pretty well, but as I started to chart out the songs I quickly realized the number of intricacies that were critical in faithfully recreating each song. Three rehearsals later, I gathered with this group of talented musicians for a fun night of music.

This was technically a “sing-along” event, which means the lyrics were on a screen for each song. At the end of the performance, my girlfriend, Shannon, asked me about Lyin’ Eyes. After the events that led to my divorce, how could I not find that song triggering the trauma I experienced?

The truth of the matter: despite listening to that song dozens of times, I never actually listened to the lyrics.

This spurned a fascinating conversation about how I listen to music and how my approach changes when I’m enjoying songs and when I’m playing them. In the 30+ years I’ve been a musician, my listening is grounded in the rhythm of the song, starting with the drums and bass, growing an appreciation for the foundation of the song. At that point I then shift toward the melody, and finally, the lyrics. I often don’t develop an appreciation for song lyrics until I read a printed version of them. When I think of my favorite songs, it’s more common for me to scat a drum lick rather than sing the lyrics.

When I approach playing a cover of a song, I go a step further and try to break down the song structure. When playing rock, some basic rules apply to virtually every song:

  • There are basic rock grooves that repeat throughout the song
  • Songs usually follow an A,B,A,B,C, … structure (where A is the verse part, B is the chorus, C is the bridge)
  • Rock is usually based on multiples of 4

Based on those rules, I’ll chart out my cheat sheet of songs. Depending on how well I know the tune, my notes can be pretty vague. In the case of Lyin’ Eyes, I wrote the basic grove (which is a rim-knocks rock groove), the tempo (134 bpm), and then anything else I needed to note for the song (the structure, as the verse occurs twice).

When I’m playing the song, I am listening for specific musical queues that help me move into the next phase. In this case, I’m counting the lyrics in multiples of 4 and waiting for a guitar strum during the last measure to confirm the time I need to let my cymbals ring and move into the chorus groove.

Despite playing this song lots of times over the last month and listening to it dozens of times since I was a kid, I never actually listened to the words. After finally reading them, they hit me link a ton of bricks. It serves as a reminder that music (and art) can impact us in many different ways and resonate differently throughout our lives, as we allow our own stories to influence the art.

How do you listen to music?

100,000(!) Song Scrobbles and Counting

Back in 2006, after hearing about it on a podcast, I installed a music-tracking service known as Last.FM, using an iTunes (later MediaMonkey) plugin to “scrobble” my music into analytics that I’ve tracked over the years. In the nearly 16 years that have passed, the service never seemed to catch on, but I’ve remained a stalwart user, feeding my Spotify listening habits into the service. A few weeks ago, I finally scrobbled my 100,000th song and wanted to use that as an opportunity to reflect on my listening habits.

This is a follow up to my previous posts over the years

In my previous posts, I listed out these categories and gave a summary of my listening history with each artist. Rather than do that this time, I just wanted to give a reflection on anything that surprised me.

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What happened to “Memory Bliss”??

While listening to music, I stumbled on the strangest rabbit hole when a pivotal song of my youth came on Spotify, P.M. Dawn’s Set Adrift On Memory Bliss

However this is not the beloved version from my youth (which, thankfully is still on YouTube for now):

The re-recorded version, which is the only version available on Spotify and the other streaming services features a different vocalist, and a significantly inferior production value – yet this is the only version available on their Spotify artist page.

I scoured the Internet to see if I could find any press release or story that described what happened, but couldn’t find anything. I feel a little bit like Marty McFly after returning to Biff’s 1985, the only one realizing everything has changed.

I did finally stumble on a discussion thread where other like-minded people were asking the same question, but really only found this conspiracy-theory explanation:

This is in no way an “official” answer, but I think one need not look too far.

P.M. Dawn’s Prince Be (the mastermind and principal songwriter, arranger, vocalist, and performer of their entire “legitimate” catalogue) was, for years before his passing, incapacitated and unable to perform and record due to a stroke and complications from diabetes.

Doc G, the Attrell brothers’ first cousin, effectively took over the name back in 2009 and set out releasing phenomenally shitty music (including both originals and dreadful remakes of PMD classics) under the P.M. Dawn brand. Along those lines, he re-recorded “Set Adrift” in 2013 and began hawking his insulting, weak-ass version of the song to every crappy, MS Paint-designed ’90s compilation in the known universe.

I don’t know what may have specifically changed in the rights arrangement for the P.M. Dawn catalogue under Universal Music Group (current rights administrators for Gee Street/Island Records), but it does indeed appear that Doc G has found a way to have all traces of that song pulled from the digital universe. (“Set Adrift” has to be the biggest cash cow in the P.M. Dawn universe, though, so I’m kinda shocked he found a way to do so.) Presumably any remaining “accidental” appearances of the original have to do with licensing terms negotiated at the time of release.

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That’s the best explanation that I could find, and it does seem to fit the facts in this whole thing, but it’s extremely unfortunate that this knock-off version is the only one available on the streams, and troubling that the original can be so easily wiped out. I get that books go in and out of print all the time, but we’re talking digital media, where storage is virtually free, having their content removed from the zeitgeist.

If anyone has the actual explanation, I’d love to hear it. Otherwise I’m choosing to believe this theory and set adrift on my own musical memory bliss.

New Amy and the Peace Pipes Single – Clear Reflections

Wow did July get away from me. More on that later, but for now I wanted to share that my band, Amy and the Peace Pipes, has a new single out! Check out Clear Reflections!

This is a new song that we wrote last fall, a love song for for Amy’s husband. The drum pattern is inspirted by Dave Matthews Band’s “Can’t Stop”.

It’s available on all of the streams, and it would be a big help for you to like the song, follow Amy and the Peace Pipes, as well as add the song to your favorite playlist.

Thanks so much!

New single – The Seen

New single – The Seen

I’m excited to share some new music from Amy and the Peace Pipes that we just dropped today – The Seen!

We recorded this song back in January, hot off the presses. We actually hadn’t played it live before recording it. We actually had the beginning of this song written about a year before, but couldn’t quite figure out how to end it. After mothballing the song for several months, we brought out back and came up with the grunge-rock ending, where I got to channel my inner Dave Grohl.

We hope you enjoy it! If you can’t stream it from Spotify, you can stream it directly from Amy and the Peace Pipes website.