Great reflections on "Bum Rush"

The guys at Financial Aid Podcast, who spearheaded helped spearhead the “Bum Rush” effort posted some great reflections on the the results.  The final numbers aren’t in, but it looks like a decently strong statement was made.  It didn’t scratch the day’s “Top 100 sales” chart on iTunes in the US, but made some good inroads internationally.

They offered some great insights and lessons-learned in their posting.  I agree with all of their points, and am specifically interested in how for a future “Bum Rush” to have more transparency or a communal feeling in the choosing of a band.  Choosing the artist is definitely a complex issue.   A good idea would have to have some kind of nomination and voting process to choose the next artist, or perhaps form some kind of selection committee put together of independent artists, podcasters and listeners that could select the band based on nominations.  My only fear would be a loss of buy-in from people who voted for a band that didn’t get selected, but I think it outweighs the concern of the current skepticism about the process.  I could see how it could come across as a scam.  I personally was pretty skeptical early on, until I heard the interview Black Lab’s lead singer on the Musician’s Cooler podcast.  Too bad more people couldn’t hear that interview earlier on.

I also agree that it would have been nice to have more work-friendly artwork.  If you go to iTunes and search for “Black Lab” you get an image that’s not really safe for work or around your family.  I can appreciate Black Lab’s artistic expression, but I think that needs to be taken into consideration if you’re looking to make the music marketable to a wide audience.

It would have been nice to continue the viral marketing, perhaps by making some badges that people could put on their web site or blog.

Overall I’m glad I participated, and bought a really cool song from it.

Bum rush the charts today – stick it to the RIAA

If you have $1 sitting around and would like it to go to a good cause, as well as offer a hand gesture to the RIAA, be sure to check out BumRushTheCharts.blogspot.com.  The hope is to have many people buy “Mine Again” by Black Lab off of iTunes today, sending that song into the “top tracks” listing.  These guys got screwed by the major labels twice, and have a good story to tell on why it’s not always best to get a record deal.  It’s also a good statement to make against the RIAA: promoting music through viral marketing and podcasts, rather than just eating the crappy music they shove down our throats.

The song is actually really good, and the proceeds go to a scholarship fund.  Instead of using the $1 to buy a candy bar, go to iTunes and buy this song today!  Buy the song now.

The importance of musicianship, and supporting the musician community

Last night we had our Andolini’s show, and it turned out to be a pretty interesting experience.  We went into the show with a lot of anticipation.  We did a lot of promotion at School of Mines the prior weekend, and Andolini’s was a new place to play.  When we took the stage, we ended up having a great show, which turned into a great sound mix and video.  However, getting there was another story – and an example of poor musicianship and getting screwed over by another band.

A few weeks ago our band formed an “alliance” on Craigslist with a few other bands in the area.  The intention of this was was to allow us to collaborate, offer advice and help on bookings (we actually got a tip on a few festivals coming up).  One of the most important opportunities is to invite each other to booking opportunities.  We had a chance to contribute with this Andolini’s show.  When we booked the show, there was an opening for another band and we offered to get it for them. In comes one of the bands from “the alliance”.

Things looked great on paper.  An email got sent out and a band quickly filled the slot.  We were good to go.  Prior to the show, they asked if they could play first, with which we had no problem.  In hind-sight, that turned out something that came back and bit us.

We had a really good feeling when we got there.  The other band brought well over 30 people to the show.  The room was abuzz with energy.  They were really rocking out the place, and we were pumped to get on stage.  However, it would be a while before we actually took the stage.

The rule of thumb when playing multiple-band gigs is that when you finish your set, you need to get your gear off the stage ASAP to let the other band set up.  Too much time in between bands simply drives fans away.  This is especially critical for the drummer, who has the most gear. Somebody should have mentioned this unspoken rule to this band.

As soon as they other band stopped playing their drummer left his drum set behind and ventured into the crowd.  Talking to virtually everyone in the bar.  While he was doing that, his drum set sat untouched, leaving me burdened with anticipation and nothing to do.  I tried to send the hint by moving all of my drum equipment right next to the stage, but he didn’t get the hint.  When the guy finally returned to his set, he sat there and took his set apart piece by piece, packing it up.  This goes completely against the “unspoken drummer code”, that you move your as much of your equipment off the stage and worry about it apart later.

I can understand the need to reach out to your fans, but to spend 15 minutes going around the room when you have another band waiting for you!  These guys went around with a swagger like they were playing a 4 hour set, not sharing the stage with another band (and 2 more for that after).  This move was completely classless, a slap in the face to our band.  We started 45 minute after our scheduled start-time, and as one would expect all of the fans left, leaving only our most devout.

Speaking of being disrespectful to other bands, here we are getting the gig for them, and not only did they screw us with the delay – but they didn’t even talk to us prior to the show, stay afterwards, or even offer a mention/plug at the end of their set.

This caused me to reflect on the musicianship, and the honorable way to treat other musicians in a shared-stage setting.  This band taught us a lot of what not to do, reinforcing lessons that were are important to us:

  • Be professional about changing bands, get your gear on and off quickly.  Move as much of your gear off stage as you carefully can, worry about packing it up when you’re off.
    • It’s not unreasonable for the sound-engineer or club owner to penalize you by taking time out of your set if you take too long.
  • Don’t go over on time.  If you are told you have an hour, take an hour.  Going over by 1-2 songs may make the band feel good, but in the end it leaves a sour taste in a lot of mouths.
  • Offer support to the other bands, which them luck and be courteous.   A good way of doing this is sticking around for part of their set.  Bands before you may not have had the choice to see you, but they watched you regardless.  Show them that respect.
  • If you can, offer plugs to both the band before you and after you, especially after you

On a personal note: no drummer should break 5 sticks during a show.  I understand that sticks get broken (and it should happen over time).  If you’re breaking five sticks in one night, then your technique is simply bad.  What it tells me is that he’s either hitting the rim with the neck of the stick, or the bead of the stick is completely missing the head (with the neck striking the head directly).  Ultimately, throwing a broken stick directly into the crowd is a bad idea on any count.

Bye bye Studio 60 – we hardly knew thee

I was going through my RSS feeds when I found this interesting post on Lost Remote. It looks like Studio 60, which has been on life-support for some time, and now it seems that it’s all but canceled. Even now it looks like it’s not even going to live out it’s full first season.

I’m really disappointed to hear this. I was a big West Wing fan, but I didn’t get into the show until many seasons in (through the DVD’s). But early on I fell in love with Aaron Sorkin’s writing. The first four seasons of the West Wing were awesome. The show managed to hold in a bit after Sorkin left, but by the 7th season it was spiraling out of control. When I heard about Studio 60 coming out I was excited to see a Sorkin series “live”, not after-the-fact.

I love Studio 60. It’s definitely got a lot of dialog, but I find the show witty, funny and cleaver. I actually thought they had one of the best depictions of a Christian character in network Hollywood today. I was a little confused and pretty sad to hear that it got low ratings, because all of my friends who watched it also liked it. It may be safe to say that Studio 60 may have been the new best show that nobody watched.

Ultimately I think what killed it was NBC and their promotion of the show. I got pretty annoyed early on when the commercials they ran made Studio 60 look like either a comedy, or a soap opera. It’s gotten progressively worse as the season has gone on, where the only commercial depicts “Who is in love with ….” and “The ending that will have everybody talking…”. Look, the show is simply not sensationalist, and it shouldn’t have been depicted as such. If you want to get shocks and awes, watch Heroes or 24. If you want a prime-time soap opera, watch Desperate Housewives. Don’t make Studio 60 out to be something that it wasn’t.

With stupid sensationalist promos like that, the audience that would have likely been attracted to the show had no incentive to watch it. I was hoping that the grassroots word-of-mouth evangelizing of the show would have been enough to save it, but it looks like NBC has caved. It’s also disappointing because it seems that if the show isn’t an instant success, it’ll get canceled in the same season.

Well bye bye Studio 60, I will definitely miss you.

Gearing up for the gig tonight

The anticipation for tonight’s Greenfoot show at Toad Tavern is winding up. It’s a bit funny that we woke up this morning to frigid weather here. It always seems like the weather does crazy things on days of shows.

I’m pretty anxious about today’s show, probably moreso than the other shows. I think a big part of it comes from the fact taht I have such a packed schedule. I’m winding down my day here at work and am getting ready to head over for class. Afterwards I head over to the gym, grab a quick bite to eat and then go to the start of a meeting. Then I’m going to duck out early (like pretty much make an appearance and then leave) so I can get down to Littleton in time. If all goes well, I should roll in at 9:00pm, which gives me an hour to get all of the gear set up and ready to go.

The other reason I’m so anxious is because we did such a marketing blitz for these shows. We hung flyers with CD’s at all the area colleges, including 15 flyers/CD’s at the Toad Tavern itself. I’m anxious to see if we get any return on our marketing investment. It would be exciting to have a good turnout for tonight.

We learned some pretty good lessons from our flyer distribution day a few weeks back, the most important: that nothing beats a personal invitation. If can look someone in the eye, give them a CD and invite them to the show, the better the likelyhood of them actually coming. We’re going to apply our lessons learned this weekend by spending our promotion time at the student center in the School of Mines (which is close to Adolini’s) for the show on the 15th. I hope that both shows go well.

If you’re in the Denver area and would like to come down and support us, come to the Toad Tavern at 10pm tonight!