Photographing FoCoMX – Night 1

Photographing FoCoMX – Night 1

Here in Fort Collins, we just wrapped up FoCoMX, which is basically Christmas for the local music scene. Over the course of two nights, there were nearly 400 bands that played across 2 dozen venues in Fort Collins. Amy and the Peace Pipes were lucky enough to be selected, but in addition to playing I also had the chance to go out and do some shooting for the FoCoMA.

I ended up covering a lot of ground over the course of the night but still didn’t get to see many of the bands as I hoped. Rather than park myself at a single venue, I roamed throughout downtown and captured bands in venues of all sizes and lighting. Some made for some interesting challenges, but I’m overall pretty happy with how the images turned out.

Below are but some of the images of Night 1, which included great bands such as The Trujillo Company, Mojomama, CITRA, Def Knock, Johnny & the Mongrels, The Sickly Hecks, I Am The Owl and The Kity Project.

I have some more pictures available on my FlickR album, which can be downloaded from there (especially if you’re in one of those talented bands).

Libraries: Palaces for the People

I realize that some may roll their eyes when I pontificate about the importance of libraries and its transforming role in our society, but I was pleasantly surprised and pleased to discover the “Palaces for the People” episode in the 99% Invisible podcast.

Check out the “Palaces for the People” episode of 99% Invisible

Sociologist Eric Klinenberg discusses the diminishing amount of truly public spaces, available for all, and the need for communities to invest in their Social Infrastructure the same way we’d invest in other types of infrastructure. He goes on to illustrate the way libraries are changing their role and need such changes in their architecture to accommodate the shift.

I would challenge those that are skeptical about the importance or relevancy of libraries to listen to this episode and take it into consideration when talking about the need for communities to invest in Palaces for the People.


I’ve moved!

I just wanted to announce that I’ve moved… my blog to a new URL.

Back in the early 2000’s I adopted an internet handle “RomeyInFC”, which stood for “Romey In Fort Collins”. I took a lot of pride in being in Fort Collins and based it off a nickname that my friends gave me. Whether you’d email me or visit different sites throughout the web, chances are you’d find me there as RomeyInFC.

The problem is that I haven’t lived in Fort Collins for the last 7 years.

Since I’ve moved to Windsor, I’ve shifted away from using RomeyInFC. If I managed to claim “jeromey” from a few major places, like Twitter and Facebook, but in other places where I couldn’t I became “BalderRomey”. In one of the final steps of transitioning to that username, I decided to cash in on any Google Juice SEO that my site has acquired, and shift it all over to BalderRomey.com

So welcome to my new home on the web, it looks a lot like my old home. As I’ve been blogging for nearly 14 years, I appreciate those who have popped in over the course of my posts, and hope to entertain those as I continue to write.

Photographing Cosmic Hot Sauce and My Dog Ate Chad

Photographing Cosmic Hot Sauce and My Dog Ate Chad

It’s been quite a while since I’ve been out to shoot some bands, but I recently had the opportunity to catch some talented high school bands at the Downtown Artery in Fort Collins.

Cosmic Hot Sauce opened for My Dog Ate Chad, both which put on an awesome show for a packed crowd. It was a bit of the challenge to work on the extreme amount of red light that was being cast on faces, but I captured some pretty fun shots.

Congrats to both bands for some awesome shows! They’re both playing at FoCoMX in April: Cosmic Hot Sauce at Scrumpy’s on Saturday at 6:45pm, My Dog Ate Chad at the Aggie on Friday at 5:30pm

Band Booking – how to contact a venue

Band Booking – how to contact a venue

Booking gigs can be one of the most daunting tasks for your band, but I’ve found that once I get started with contacting a few venues and get the ball rolling, it becomes easy to build momentum.

When I first started booking for Greenfoot back in the mid-2000’s, I would often build physical press kits that included a bio sheet, photo, and CD, then hand deliver it to bars and venues. Now that I’m booking for Amy and the Peace Pipes, that technique has gone by the wayside but luckily todays requires a lot less (and cheaper) effort, as long as you’re willing to stay on top of follow-ups.

Here are some of the booking scripts that I use. I’ve tended to get better responses when I do two things with the emails: keep them very short and direct, frame in the context that I’m helping them fill a date. A lot of times we assume that bars and venues are giving us exclusive attention and are thoroughly listening to our demo to see if we’re a good fit, but the reality is that they’re just quickly trying to fill dates before they can move onto the other 50 things they need to do to run their business.

One last note: none of these ideas are particularly my own or original, but are a conglomerate of many articles and techniques I’ve read at some great DIY musician blogs, like DIY Musician Blog, HypeBot, and Music Think Tank to name a few.

Prework

  • Make sure you have a website that includes all the basics about your band but specifically has direct access to your music/videos. The more professional your site, the better, but make sure you have an attractive homepage (with a great professional picture of your band) that is intuitive for a booking manager to hear what you sound like.
  • Go to the venue’s web site and try to find the email address for the booking manager/coordinator. If they don’t make that clear, you can use the general email address. If all else fails, contact them through Facebook Messenger, but you just change your email a bit. I’ll give two templates below.
  • Come up with a 1-sentence “elevator pitch” about your band. It doesn’t have to change the world, but it does need to describe you’re niche (for Amy and the Peace Pipes I say, “We’re a woman-fronted piano rock band out of Fort Collins.”
  • If they have a calendar, go double check your wanted to date to see if it’s open, and better yet if you’re planning 2-3 months ahead and the calendar happens to look blank, they may have more openings and be more apt to give you the date that you requested. Also check to see if there’s a pattern for dates they have live music (whether they typically have them on a Friday or Saturday, or if there’s a specific night of the week)
  • Pick 1-4 dates that you would like to request. I typically give them 3. Don’t be afraid to ask for the ideal date, but also give them some options as well (e.g. if they book music on Thursday, Fridays or Saturdays, ask for 2 Saturdays then throw in a Thursday).

Sending the email

Subject: Booking Inquiry: Amy and the Peace Pipes for <Month Name>

If you know the name of the booking contact:

Hi <Booking Contact>,

I hope you are doing well. I was wondering if you are actively booking bands for <Season or Month Name> at the <Venue Name>? If so, my band, <Band Name>, would love to help you out. We're a <1 sentence "elevator pitch" description about your band>.

Could we help you fill any of the following dates:
- <Date Option 1>
- <Date Option 2>
- <Date Option 3>

If you have another date where you'd need some help, just let us know.

Thanks,
<Your Name> from <Your Band Name>
<Your Band's Web Site>

If you don’t know the name of the booking contact, I include all of the information in there as there’s a good chance they’ll just forward this email to the booking manager:

Hi <Venue Name>,

Could you help me get in touch with the person responsible for band bookings? If you're looking to fill any dates this <season or month>, my band, <Band Name> would be a great fit. We're a <1 sentence "elevator pitch" description about your band>.

Could we help you fill any of the following dates:
- <Date Option 1>
- <Date Option 2>
- <Date Option 3>

If you have another date where you'd need some help, just let us know.

Thanks,
<Your Name> from <Your Band Name>
<Your Band's Web Site>

Email Tips

  • Adding the web site at the bottom of the page is crucial. I also always add the “from <My band name>” at the bottom too, making it easy if they end up searching their email later.
  • I typically send the emails on Tuesday through Thursday during the day. I try to avoid sending emails at night, as those will be part of the pileup they get when they come into work the next day. I want that email to come in either mid-morning or early afternoon when they’ll hopefully want to react to it quickly and get it out of their inbox. I stay away from weekends (when they’re busy doing bar/venue stuff, and Sundays and Mondays are likely the days off for most of them).
  • I’ll still work on them the night before and write the email, just store it in my drafts, then go in and just send the email when the time is right

The Most Important Step: Following Up

Chances are you won’t hear back from that original message. Venues tend to get a lot of emails from various vendors and often will treat your original email like spam or white noise. After sending the message, I’ll go snooze the message in Gmail (if you use Gmail, this is an awesome tool for reminders and follow-ups) from 7-9 days later, then when it pops up, I send a quick follow-up email:

Hi <Booking Agent Name>,

I just wanted to follow up on my email from last week, wondering if we can help you fill any of the following dates:
- <Date Option 1>
- <Date Option 2>
- <Date Option 3>
Please let us know if we can be of any help. Thanks so much!

-<Your Name> from <Your Band Name>
<Band Web Site Address>

If you’re lucky, you’ll get a response, but I often follow up 1-2 more times, again 7-9 days apart. I’ve never had anyone yell at me for spamming them, sometimes you’ll get the “thanks, but no thanks”, but at least you got a response.

I’ve had a lot of success with this technique, but the key is staying on top of your follow-ups. If you don’t get the answer you want, remain respectful and offer to help them in pinch. You’re trying to help venue owners and booking managers realize that you’re eager to partner with them to make everyone successful. I’d love to hear booking tips others may have.